Earlier today on another blog far, far away Blue Girl suggested that the last episode of Man Men (the best in my opinion) reminded her of far away New York and made her wish she was here. I didn’t see it – even the famed “New Amsterdam” episode (the only other one I actively enjoyed, outside of this blogging crowd) didn’t quite get there in terms of its Gothamicity. The whole thing seems confined to studio sets, and a bit too clean for an active represenation.
Then too, the accents don’t work because they’re basically not there. Not is the stance, the attitude, the posture. Any episode of, say, Sesame Street seems much more New Yawkish than Mad Men. Bugs Bunny too. And then there are all the TV shows gone before that were set in New York and its environs: The Odd Couple, the Dick Van Dyke Show, All in the Family (and Maude and The Jeffersons), Car 54, Seinfeld, The Cosby Show, I Love Lucy and the Honeymooners. Some filmed in studios here, most filmed in studios there – meaning California. And yet evocative.
Mad Men is too laconic for New York, too Steve McQueen and not enough Archie Bunker – who, after all, sat first in his chair in Queens just a decade later. Ironic, of course, that the rabid anti-Semitism portrayed in 1960 New York shuts its place-in-time cultural consciousness off from the dominant Jewish-inflected humor of the city. It’s a loss.