March 2007 / 4 posts found

Green Beer and English: The Actors and Poets of St. Patrick

by Tom Watson
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LeprechaunThe recent news that the Irish and the English come from the same ancient genetic stock, by and large, should be no shock to anyone who contemplates the greatest contribution of the cultural Irish diaspora: the language of their sometime enemies across the narrow Irish Sea. Now that the mitochondrial mystery has been solved at Oxford, we may as well be honest about the great irony of the grand old land.

English and its artistic advancement is the great cultural achievement of the Irish.

It all makes sense that today we’ll swill German beer with a green food dye additive in franchise “Irish” pubs licensed to Italians and Greeks, while paying tribute to a Roman born in Britain. And we’ll grow teary-eyed at brief passages of Joyce and Yeats, while gobbling soda bread around the big flat screen as John Wayne and Maureen O’Hara cavort in John Ford’s mythic Ireland of our dreams. All in English, of course – wonderful English, blissfully enunciated, emotional, profane, onomatopoetic English. Yes, English, the great gift of the Irish.

`A beautiful, pure, sweet, mellow English tenor,’ said Aunt Kate in Joyce’s sublime The Dead, arguably the greatest short-form prose employment of modern English. Written, of course, by an exile who gave to the world his gift beautiful, pure, sweet, mellow English.

Rock’s Greatest Covers II: Bob Dylan’s Progeny

by Tom Watson
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DylanA few years ago, the Rolling Stones covered the greatest song in the history of rock n’ roll. No, this list isn’t about that. It’s about the guy they covered – probably the most covered song-writer in the last 45 years: Bob Dylan, of course, our national poet. And if the Stones didn’t get the irony of covering Like a Rolling Stone (they probably thought the song was about them, didn’t they, didn’t they?) they certainly knew they were joining a long, long list of musicians who’ve found musical inspiration and lyrics worth repeating Dylan.

To follow up on the weekend’s excellent thread of greatest rock covers, I thought I’d drill down here on the man whose works were mentioned the most by newcritics readers.

OK, so most people would say All Along the Watchtower is the greatest Dylan cover. The Hendrix version rearranges the Dylan original, famously adding the cigarette-lighter slide licks and some screaming wah-wah solo work. It was the only Top 40 song of Hendrix’s living career. Heavy virtuosity aside, the song remains essential Dylan – the joker and the thief, the evocative chapters and the overall set piece. And that’s true of all the Dylan covers.

Rock’s Greatest Covers: Patti Tops the List

by Tom Watson
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HorsesJesus died for somebody’s sins, but not mine…

When Van Morrison wrote the classic Gloria as the B-side to Them’s 1964 hit Baby Please Don’t Go, he couldn’t have suspected what a kid from New Jersey would do with his song a decade later. But I suspect he was thrilled. After all, Patti Smith’s cover of Gloria on her incredible 1975 debut album Horses stands as the greatest rock cover performance (studio release) of all time.

At least, that’s my choice. You may cue up something else. But consider the guidelines: we’re talking post-Beatles, singer-songwriter era. And we’re talking interpretation, ownership, stye. And Patti’s Gloria leaps to the top. Even now, 30 years after I first heard it, the song can bring chills – that opening, the free-form poetry, the anger and sexual tension, the drive of the band, as it swings in and around Smith’s lyrical riffs. Christ, it is rock. No matter that Patti didn’t write the song – she wrote the track.

The Replacements Come to Monday Nights

by Tom Watson
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Black DonnellysI’m writing here about a television series I have never seen, but intend to, as my schedule allows. It’s a replacement series – your garden variety mid-season fare – except that two critics I respect had completely opposite initial reactions. And that suddenly got me interested in a network series I might otherwise have ignored (and still may).

The show is The Black Donnellys and the critics are Lance Mannion and Jason Chervokas – or, ahem, newcritics is more accurate. Lance only gave it 15 minutes and flicked his remote control to visit other lands; he didn’t like it much. Jason led his post with one word: “Wow!” Why all the fuss?