Oddly Obscure: Olney’s Very Own ‘The Rear Ends’ (at The Huddle, 5th & Roselyn Streets, 1966)


Rear Ends

(It occurs to me that the “Olney” in the above headline means nothing to non-Philadelphians, and even to some Philadelphians it means little. Perhaps an explanatory note would be in order. Olney is one of those neighborhoods that no one ever really has any need even to go through to get anywhere, and, at least when I grew up there, it was very much its own little world within the larger world of Philly. Mostly working-class rowhomes, and it still had some industry back in the 60s, notably a steelworks called Heintz. Anyway, here’s the story of “The Rear Ends”.)

Legendary rockers The Rear Ends had their origins in a Cardinal Dougherty High School skiffle band called The Fag Ends, featuring Tim Dooley (above, second from left) on banjo and vocals, and fraternal twin Tom (second from right) on guitar and sharing the vocal duties. The band went electric in 1963 but took an unplanned detour at the Dougherty prom in 1964 when — defying the strict injunction of school disciplinarian Father Benonis — the brothers Dooley were expelled for singing the infamous “dirty” lyrics to “Louie, Louie” (”She my little gal, she waits for me/in a pussy boat on the Zuyder Zee”).

Transferring to Olney High, the Dooleys (influenced by R&B giants like “Rockaday Johnnie” and big blues bands like that of “Bum” Stevens) formed a new and powerful ensemble: The Rear Ends, featuring Bobby Fergelman (far left) on drums, Milt Zankowski, Jr (third from left) on bass, Keith Lee Cohen (center) on the Farfisa, Jake (Wolfman) Wolfberg (third from right) on trumpet, and Johnny Martin Smith (far right) on the tenor sax. Tim and Tom continued as the hot combo’s frontmen, trading off lead and rhythm guitars and vocals. The group broke big in the summer of ‘65 when they proved so popular after playing a Tuesday night gig at the Wagner Ballroom on Old York Road that they were rewarded with the Tuesday slot for the rest of the summer, routinely packing the house with over 2,000 sweating frenzied teens. By late August their “street cred” was so profound that they became the first (and only) white band ever to play at the annual Pennypacker Park picnic of the notorious African-American street gang “The Moroccans”.

Upon graduating in June of ‘66 the Dooleys and their fellow Rear Ends went “pro”. They continued to play their high-powered brand of R&B, soul, rock, and blues, but now also dived into the viscous swirling mult-colored sea of psychedelia. The Dooleys began to write more and more of their own material, and waxed many great sides for (among other labels) Swan, Atlas, and Lawn. The boys inexplicably never cracked the national Top 100 but had numerous local hits, such as “Journey into Hell”, “My Mind Explodes”, “The Why is for How”, and “A Girl Called No One”. Gigging steadily five or six nights a week, in 1967 the boys found time to record (on spec) their one and only album in the basement of the Dooley family rowhome on Nedro Avenue. Entitled “Chronicles of the Wizard of the Mountain of the Time, Vol. I”, this visionary suite was never officially released although bootleg copies have been known to sell on eBay for up to $25.

The “classic” era of the band ended in early 1968 when first Tim and then Tom were drafted into the US Army. Upon their discharge in 1971 the brothers reformed the band, but times — alas — had changed, and the Rear Ends never regained their former popularity. Tim took a job with the post office and Tom became a bus driver for Septa. However, the brothers continue to gig on weekends as Philadelphia’s fabulous and one-and-only Rear Ends to this day, and can be regularly seen at popular watering holes like “The Antelope Lounge” on Cecil B. Moore Avenue, “Shake & Bakespeare’s” on Cottman Avenue, and “The Crown & Anchor” on Panama Street.

Long live “The Rear Ends”!

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May 27th, 2007
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Viewing 6 Comments

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    • v
    This explains the Hohner Pianet I once owned that had "Rear Ends/KLC/Philly" stenciled on the side. It had a lot of beer rings on top. And didn't Tim and Tom own one of the first fuzz boxes west of the Hudson River?
    • ^
    • v
    Y'know, Estiv, I was curious about that fuzz box issue, so I e-mailed TomDooley and he got right back to me with this:

    "I don't know if it was one of the first, but Tim and I built it ourselves in shop class at Olney High, out of a Philco transistor radio and some other crap we found lying around. We just couldn't get it to produce the kinda nasty sound we wanted and Tim got pissed off and threw it against the wall. Then I tried it again and, wow. I still use that thing."
    • ^
    • v
    Tried to push them into the Southern Ca market during the early 60s. Had found an old recording stuck below the passenger seat of a beater on a used car lot. Thought they had tremendous capacity for crossover into the Kinneret market. But, as it remains today, Southern Ca is a remarkably different beast than the home of the Cheesesteak. Lakers have what, at least 6 (six!) rings since the 76ers last won.
    • ^
    • v
    So many great groups had a hard time making it outside their homebase in those days: Dyke & the Blazers out of Denver, the Sonics out of Seattle. I checked in with Tom, and he sent this along:

    "What'd we know from touring? We were gigging just about every damn night in Philly, plus a few of the guys were going to school. And all of us had at least part-time jobs. I was teaching guitar at Zapf's down on 5th Street. Tim was selling records at the Sound Odyssey, Keith was working in his old man's garage...This guy came to us asking us to do some gigs on the West Coast, but the money wasn't so hot and we're all like, hey, who's gonna cover my shifts?"
    • ^
    • v
    Interesting to hear of these "local" bands that almost and maybe should have broke wide.

    I grew up in Wildweeds territory, in CT/the Northeast. Perhaps I should work up a post.
    • ^
    • v
    Hey, Kevin, as a Philly boy I have to admit I'd never heard of the Wildweeds. I just googled them and read their story and they sound like just my kind of group. But then please understand that my taste in rock is so severe that I consider the first three Rolling Stones albums to be their best, and that I not only have the first Kinks album on vinyl but the first Cher album.
 

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